The groovy sound behind her vocals from 3.33 to 3.37 enhance the serene feel factor. The 2 quick matka hit effect at 3.21 gives great intermittent effect.įrom 3.24 to 3.27, feel good guitar riffs that are typical trademark style of Himesh - the pre ABA composer.įrom 3.30 to 3.32, KILLER female vocals give halke se feel and try to connect with inner soul to give a terrific overall combined effect.Īlka's lines, SHAAM SAVERE BAS TERE HI (OFF DA HOOK typical unique HR melody) from 3.33 to 3.36 & AA JAYE (melodiously cute) from 3.42 to 3.43 The soothing female chorus from 2.45 to 2.51 are of great cause.īetween 1st & 2nd stanza, a feel good guitar piece plays followed by awesome female seductive feel vocals from 3.07 to 3.16, especially their terrific sync with a catchy 4 key descending tune from 3.16 to 3.18 The quick rising keyboard notes from 2.42 to 2.43 sound cute and are in off da hook sync with underlying beat effect. The groovy sound behind his vocals from 2.32 to 2.38 enhance the serene feel factor. Shaan's lines, HAR LAMHA BAS TUMKO SOCHU (OFF DA HOOK typical unique HR melody) from 2.32 to 2.35 The subtle faint accompanying female vocals from 2.29 to 2.32 are of great cause. MILE HO (OFF DA HOOK vocals that get listener into da zone) from 2.27 to 2.28 The 2 quick matka hit effect at 2.20 gives great intermittent effect.įrom 2.23 to 2.26, feel good guitar riffs that are typical trademark style of Himesh - the pre ABA composer. The quick rising bazz trumpet from 2.17 to 2.18 gives perfect kick start of Shaan's vocals. The soothing female chorus between 1.21 & 1.27, 1.38 & 1.45 is of great cause.īetween mukhda & 1st stanza, a cute harmonica tune piece plays from 1.49 to 2.00, followed by feel good trumpet from 2.01 to 2.12 and likeable piano piece from 2.12 to 2.16 ![]() The additional beats from 1.21 to 1.23 give great intermittent effect. The underlying laidback beats that join in from 0.57 onwards have a serene effect in them. ![]() Shaan begins on a subtle note in unplugged mode.įrom 0.51 to 1.01, a signature trademark typical old himesh feel good guitar flick tune plays. The 4 additional beats, drum beats in oh sanam part and the soothing female chorus. The oriental flute piece, piano flicks, subtle whistle effect, bazz trumpet tune sur wherever mentioned especially behind oh sajan legaya tu mera mann (2.31 to 2.32 & 2.39 to 2.40 with emphasis).ģ. Udit's catchy vocals and alka's innocently melodious vocals.Ģ. This is an awesome SERENE TROPICAL melody by Himesh Reshammiya.ġ. The stanza is very catchy on udit's lines especially the lines tune milkar and the flute piece gives good tune sur in between.Īlka's lines are very innocently melodious.Īgain in the latter part of stanza (oh sanam) the tune sur is the key for overall effect.īetween 1st & 2nd stanza,the feel good flute is back along with guitar piece.Īgain, udit's lines are catchy and alka's vocals are innocently melodious.Īt 4.00 & 5.38, deewana KAHO (emphasis) na.Īgain in the latter part of stanza (oh sanam), the tune sur is the key for overall effect.įrom 6.24 onwards, the female chorus (one of the biggest weapon of HR-the pre ABA composer) cast their magic spell until the end, whereby the song ends with gradually rising keyboard flick. The 3 key piano notes from 2.39 to 2.41 have awesome innocent appeal.īetween mukhda & 1st stanza, an intense violin piece plays followed by feel good tune.Īt 3.13, the 4 quick additional beats give good effect to start of 1st stanza. The subtle whistle effect alongside Udit's vocals from 2.11 to 2.24 adds a pleasant touch. The BAZZ TRUMPET tune sur at 2.25, 2.27, 2.31 to 2.32, 2.33, 2.36 & 2.39 to 2.40 have vital role to play behind OH SANAM lines. The full beat part is your old fashioned drum beats that give a traditional outdoor feel. The agressive rise in piano notes from 1.58 to 2.00 & 2.31 to 2.32 is the key effect here which gives some kick. The piano keys along side Udit's vocals from 1.39 to 1.51 are of great cause.Īlka's lines OH SAJAN LEGAYA TU MERA MANN are powerful both in unplugged and full beat mode. The oriental flute from 1.34 to 1.36 is innocently cute. Great build up here.Īt 1.29, the 4 additional beats are effective. ![]() The mesmerizing ORIENTAL FLUTE piece joins in followed by Alka's LA LA and female soothing chorus. The song begins with a lovely piano piece very easy on ears followed by subtle melodious haunting vocals of Alka yagnik.Īlka's line LE GAYA TU, from 0.46 to 0.48 gives a strong HAUNTING MELODY effect.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |